Sunday, August 8, 2010

Comics Criticism, 1970-2010

A few things I read recently and liked:

Rob Clough on Kevin H. Clough gets at what's great about Ganges: the philosophical content, formal imagination and inventiveness, and visual charm.

Sam Lipsyte on Daniel Clowes's Wilson. Lipsyte's a great novelist and carefully engages Clowes's work, especially the dialogue. He avoids the kinds of critical generalizations that flatten a text (and make a reviewer look careless), and instead sees Wilson's complexities and humanity. A very well-written review.

Alan Choate on Crumb's Genesis. There's a lot of ok criticism on the web, but there's little that's this thoughtful and informed.

Tim Seidler and Jon Hazell on Herb Trimpe (a letter published in 1970 in The Incredible Hulk #131). Though they are critical of Trimpe -- an artist I like (his Hulk covers of this era are masterpieces) -- their visual trope-based criticism is eye-opening. The writers clearly don't like what they see, but they back up their opinion in an effective and entertaining way. I just bought 40 1969-1972 Marvel comics, and this letter has me reading them in a new way, paying far more attention to how artists stage aggression, violence, and fight scenes, key features of these comics. You never know where you'll find interesting criticism . . . [click to enlarge]:

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Saturday, August 7, 2010

Ripped from Tomorrow's Headlines


I scanned this clipping because it reminded me a little of events depicted in Wally Gropius. Some fellow stole a 1.4 million dollar tax refund check--doesn't say how--from a real estate magnate--apparently the 45th wealthiest man alive--then impersonated said magnate to deposit the check at a bank. The funniest part is the suspect listing "smoke shop" as his occupation on the paperwork.
Also in the news, I recently appeared on the radio program Inkstuds. I note this mostly because my coworker Jim Ellwanger created 4 amazing 5-minute medleys from his collection of radio jingles for the breaks. Listen to the battery in my phone die!

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